In 1975 Melinda met with Duras to discuss India Song, Duras's sixth film.
“In India Song I pose, in principle, the
sovereignty of Woman. I hope I have demonstrated it or made a didactic film,”
says Marguerite Duras of her sixth film, as if to silence those who reproach
her for a cerebral or theoretical approach. For within her own framework, such
an approach belongs to the masculine world and Duras wishes to define the
distinction between male and female and to place herself firmly in the latter
category.
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