Thursday, June 22, 2017

Wim Wenders on filmmaking as intuition

On the set of Paris, Texas , 1983


"When I think of a movie, I don't initially think much of actors. I think I work much more from a certain flow of images or a certain connection of ideas and images. And then the actors come in and they're always a big disturbance in this beautiful unity of ideas that existed before. And usually it turns out that they just disturb this order enough to make it interesting. So, usually in the course of a movie I get very interested in the actors. Usually they help me to forget the ideas that I had before. And if they don't, something is wrong. If I find myself sticking to preconceived ideas, then it's because the actors just didn't interest me enough."


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